Before beginning this I had considered any Devil-related features on the landscapes that I know well. Stories also get transmuted constantly according to who is telling the tale and to whom. The same story told against one village may get garbled by that village to be told against the village that told it first. Garbling and multiple versions are normal.

Cloven Country by Jeremy Harte | Waterstones Cloven Country by Jeremy Harte | Waterstones

A] fascinating study . . . In Cloven Country, Harte sets out to discover why the 'Devil' appears in so many of our place names, and so many of the accompanying tales and folklore. Along the way it becomes an invaluable guide to some of our more puzzling local oddities . . . It all makes for a highly evocative and original guide to our ever-fascinating, multilayered landscape, so full of shadowy mysteries and stories. ' As the government’s national archive for England, Wales and the United Kingdom, The National Archives hold over 1,000 years of the nation’s records for everyone to discover and use. Popular tales, Harte suggests, might imply something off about the conjurer-parson, but certainly there are tales of these same individuals advising and aiding Cornish wrestlers in their very physical confrontations with the Devil – providing prayers, papers and materials to enable victory over him.Although [Harte] will retell a tale with a nimble and gleeful charm, he’ll then carefully examine them. Harte's skill as a writer makes this process seamless. It also renders what could be an academic and slightly dry exercise every bit as interesting as the narratives themselves. Come for the telling of folktales; stay for the workings of folklore. Cloven Country is testament to Harte's deep personal and learned knowledge of the folklore of England. He’s seemingly read everything and been everywhere – and given the book is illustrated from his collection, clearly also bought the postcard. His writing style is wry and frequently aphoristic. Harte is one of Britain's most eminent folklorists, whose previous works have included detailed accounts of gypsy folklore, holy wells and an award-winning book on fairy traditions. As Cloven Country is coming from a more recognised publisher, hopefully his work will now reach a wider audience. Purely on the basis of this erudite, witty and exceptionally entertaining book, it clearly deserves to. ' Simon Costin, director of the Museum of Witchcraft and Magic and founder of the Museum of British Folklore This is a damnably good book, thanks largely to Harte's wit and erudition and ability to take folk tales at more than face value, and tease out inferences that would be opaque in a less insightful writer's hands." Desk and exam copies of certain titles are available to lecturers who wish to consider books as course texts. A maximum of three titles may be requested and retained for 28 days' inspection. All books not returned, or adopted, will be charged for at a 20% discount. This is my favourite book of the year so far. It is immaculately researched, superbly written and – like all Jeremy Harte’s work – genuinely breaks new ground in folklore studies. Only somebody with his breadth of knowledge, not only of the lore but of related fields of history, myth and literature, could have done as well. '

Cloven Country | Reaktion Books Cloven Country | Reaktion Books

That was Jeremy Harte just then speaking in italics. He's written this wonderful book, a collective of folklore about how the Devil is responsible for things we see in the English landscape. You can tell these places by their names: The Devil's Chapel, The Devil's Elbow, The Devil's Arrow, The Devil's Dyke, The Devil's Jumps, The Devil's Chair. Scared yet? Get a dog: there was a long-standing tradition that a spayed bitch kept in the house would ward off ghosts and other presences of the night. Because she was a female and yet could not bear pups, she was a living contradiction, a little uncanny, however loyal she might be--and so a natural guardian for boundaries between one world and another.Come for the telling of folktales; stay for the workings of folklore. Cloven Country is testament to Harte's deep personal and learned knowledge of the folklore of England. He’s seemingly read everything and been everywhere – and given the book is illustrated from his collection, clearly also bought the postcard. His writing style is wry and frequently aphoristic. Harte is one of Britain's most eminent folklorists." As literacy advances so the Devil tale advances. Places get re-named for him to advance a story rather than to reflect local 'reality'. We have mentioned tourists creating the tales they wanted to hear simply by being present in the right place at the right time (and then reporting them as 'true'). If a man could make other men do his bidding, if he had the power to make them sit, or stand, or go as he wished, and could tell who was going to live, and who was going to die, then that man was in a fair way to being the little devil of his neighbourhood. The Devil knew all about power – that was why he was always dressing as a gentleman – but he did not give it away readily, not without a fight. (p. 123-4) Harte neatly brings in the suggestion that this may mirror actual class-dynamics – the fairly obvious idea that the stories which told are affected by such dynamics brings us to some interesting conclusions: The Devil is a perfect character for a storyteller. And so they've come down to us: repeated, amended, borrowed, plausible only to the gullible; yet, entertaining always. They are like the Irishman's old hammer, which had been in the family for generations but with three new heads fitted to it and five different handles.