Musicmap believes that knowledge about music genres is a universal right and should be part of basic education, alongside other forms of art. Because this subject is often not found in school curricula (due to its complexity and a certain disdain for alternative/underground/”low-level” culture), the need for its coverage is high. In contrast to (online) encyclopedia the genre descriptions are less technical/objective and slightly more contextual/subjective, without taking a biased stance. The aim is to evoke interest and to understand the difference between genres, not to describe them independently in an encyclopedic manner. Combined with a large focus on visual design, musicmap hopes to reach more people this way than written literature otherwise could, without losing the essence and accuracy of the content. Thirdly, a rigid structure allows expansion in the vertical axis. This means it can be updated with new genres and adapted to accommodate future genres, hereby greatly increasing flexibility and sustainability. A rigid structure can also easily expand in the horizontal direction, meaning that super-genres can be made broader if need be (to allow corrections, subdivisions and so on). An amorphous structure will enclose certain super-genres, preventing expansion in the future, or correcting if needed. It starts with a semibreve (whole note) at the top, which can be split into two minims (half notes). music has always been something special in your life and you want to find a creative way to experience it with your children;

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BERLIN, A. Edward, Ragtime – A Musical and Cultural History, University of California Press, Berkeley, 1980. QUINN, Steven, Rumble in the Jungle: the Invisible History of Drum ‘n’ Bass, in: Transformations, n°3, 2002. SALEWICZ, Chris, BOOT, Adrian, Reggae Explosion – The Story of Jamaican Music, Virgin, London, 2001.

Purpose - What is it for?

Blueprint of the larger underlying currents or genre families in the history of popular music, forming the different super-genres Straight lines resemble more important evolutions than dotted lines. Double arrows implicate strong mutual influences.] The music note tree is a great visual way to understand the relationship between all the different types of music notes. Getting to grips with it will help you when learning about note values and time signatures. First steps in music is my course for families with children aged 0-3 that will help you support your child’s musical development with original songs and new creative ideas.

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The main conceptual methods of musicmap to achieve a satisfactory equilibrium consist of grouping closely related genres together (“sibling genres”), color coding much larger genre groups (“super-genres”), and introducing a deeper layer of lesser influential subgenres. Hereby the total amount of the intermediate or main genres could be reduced to 234. This is deliberately far from the possible total amount of genres (approximately 600 or more, some sources claim over 1000) to enable easy orientation and good overview. The correct determination of the different super-genres is very important, but much less difficult than determining the correct number of genres. The same super-genres return in various lists, summaries, other genealogies, literature, although sometimes with other names or a slightly different combination of genres. The boundaries of these super-genres are not rigid, after all. Just like smaller, regular genres, super-genres should be considered as fluid concentrations in the musical universe, fading over into each other. REED, Alexander S., Assimilate: A Critical History of Industrial Music, Oxford University Press, New York, 2013. REYNOLDS, Simon, Retromania – Pop Culture”s Addiction to its own Past, Faber and Faber, London, 2011. McLEOD, Kembrew, Genres, Subgenres, Sub-subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities, in: Journal of Popular Music Studies, 13, pp. 59-75, 2001.SANTELLI, Robert, GEORGE-WARREN, Holly, BROWN, Jim (Eds.), American Roots Music, Harry N. Abrams Inc., New York, 2001.

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At Music Tree, we base our classes on Gordon’s Music Learning Theory. We sing songs in all the modes and meters of western music, compose our own songs and create musical dialogues to support children’s creativity and responses to music.This is common as most time signatures that beginners start by learning are those with the number four as their bottom number which represents a crotchet beat.

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Two quavers are equal to one crotchet, or four quavers are equal to one minim, or eight quavers are equal to one semibreve (which is why they’re called eighth notes, as they’re an eighth of a whole note). OH, Ingyu, LEE, Hyo-Jung, Mass Media Technologies and Popular Music Genres: K-Pop and YouTube, in Korea Journal vol.53/nr.4, pp.34-58, 2013. GASSEN, Timothy, The Knights of Fuzz – The New Garage & Psychedelic Music Explosion, Garage Nation, Tucson, 2014. DALLING, John M., History of Trance Music – History of Chillout Music – History of UK Hardcore – History of Speed Garage, 2013-2013-2006-1998.

Synopsis - What is musicmap?

Or, for time signatures with a number eight as their bottom number, a dotted crotchet would represent one beat. You might also see it referred to as a rhythm tree or a note pyramid, but these are all the same thing. One thing to mention is that you don’t have to use a crotchet (quarter note) to represent one beat. Literature• AHRENDT, Peter, Music Genre Classification Systems, PhD Thesis, Technical University of Denmark, 2006.