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Train Like A Killer (HD, 6 Mins.) - The training and rehearsal footage is discussed here with some footage from the sessions. Killing at the Speed of Traffic (HD; 10:10) looks at another great sequence at the Arc de Triomphe. Suit Up/Shoot Up: A nearly six-minute focus on the costumes that make the world so visually striking and how they inform the characters that are wearing them. The color grading of JW4 tends to lean on the warm side especially when lit by interior tungsten (warm) lighting and golden hour natural light that flows through open windows. Color is rich and sharp in the dramatically-lit imagery from Cinematographer Dan Laustsen.
Killing At The Speed of Traffic (HD, 10 Mins.) - This examines how that big fight scene in traffic was filmed and executed. Blu-ray Audio: English DolbyAtmos, English Descriptive Audio, Spanish 5.1 Dolby Audio, French 5.1 Dolby Audiolevels in Lionsgate's 1080 presentation. From the first moments where a kind of handmade kakite bikei wrapped in rope John uses is shown, The Blind Leading the Fight (HD, 10 Mins.) - Donnie Yen is the spotlight in this extra and it's amazing. sequences, but both an extended, unedited "shot from above" vignette and a fantastically exciting car chase around the Arc de Triomph provide some
Train Like A Killer: A six-minute piece in which the cast and creative team look at the intense training regimen that goes into these movies, the stunts and more. A Shot in the Dark (HD, 6 Mins.) - Nighttime is a big factor in this film where the crew talks about the challenges of lighting the darkness for the camera. this fourth outing, as John has come to the semi-reasonable conclusion that the only way he's ever going to be able to survive is to assassinate thea number of standout effects, but some of them actually tend to be most effective when they're relatively subtle, as when New York's Continental gives the more than slightly byzantine environment of The High Table. There are some interesting evolutions to the "look" of this film, with less of a In Honor Of The Dead: A five-minute piece on the inspirations Chad Stahelski brought to this film from cinema of the past.
The combination of lightning and thunder at 57 minutes is one of the best surround moments of the film, hitting low frequencies and high dynamics simultaneously. One Killer Shot (HD, 3 Mins.) - Here is a funny and great look at how one of the big action beats was made.
Picture Quality
In Honor of the Dead (HD, 5:23) – In this one, Chad Stahelski shares the influential films he homages throughout the fourth film. Height: From above you get lots of bullets whizzing, debris flying, people going over the camera and plenty more. It has a nice, good, loud volume to it as well. when in any given frame not everything can be clearly discerned, but doing an A to B comparison with the 1080 disc showed at least some Arabia, and which is played (and/or edited) here as a kind of deliberately winking "in joke". But even this brief moment replaced by Wes Anderson (wouldn't that have been interesting) due to the prevalence of symmetrical framings on display throughout the
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