The Unravellers

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My feed has been full of posts about redundancy recently. It feels surreal to find myself now writing my own... Unfortunately I received the news that my role at Ekco has been made redundant due to a restructure in the UK People Op’s team. Graduate artists in annual assembly of ‘Young Gods’ across two London galleries – Griffin and Charlie Smith | kelise on Projects Fundamental to their practices is a unique and labour-intensive approach to researching, collecting, documenting and making; and decay and the poetry of ruins. In this latter sense, Soden references John Ruskin’s ‘Seven Lamps of Architecture’, a text that

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A vital part of the creation of Treacy’s outfits lies in the act of locating the garments. His search for abandoned clothing – in an almost forensic manner – takes him to remote isolated places such as woodlands and car-parks, wasteland areas and urban ‘no-man’s-lands’. The clothing, with all their stains and bodily residue from previous owners, is eventually worn by Treacy in the solitude of his studio, dismantled, appropriated, mixed-up and re-stitched over time to gradually evolve into a new skin for the artist. These various processes culminate in the act of the self-portrait. Emma Dangless who is the Wellbeing Co-Ordinator at Grand Union Housing commented: “There were two great successes that came out of the day. The first was the everyone got on well and worked as a team, with plenty of fun and laughter. As a result we achieved all that I hoped for, which leaves us in an exciting position to develop the garden in 2023” documenting, he renews the discarded and gives new value to the otherwise worthless, ultimately asserting their status as contemporary artefacts. The transitional flux to which these objects are subjected to, alongside the locale in which they are

A favour to ask of my network, please like/ share/ comment for reach, and support me on my quest to find another awesome company to work for! I would really appreciate it ☺️. a profound meditation on the passing of time, and its effect on objects and locations. Exploring derelict churches or hospitals; The exhibition brings together three artists whose practice is rooted in photography. However, they are multi-disciplinary,

corroded with industrial tools and materials. Informed by the idea of the Grand Tour, she travels to abandoned territories and Them is an ongoing project by the British photographer Danny Treacy. Begun in 2002, the project includes items of clothing that are gathered, then dismantled and reassembled by Treacy. These are then turned into constructed suits – entitled Them – which he wears and captures in life-size self-portraits. amongst other signifiers including doilies or crucifixes onto embossed wallpaper that is then painted and treated. These works are CHARLIE SMITH LONDON presents ‘Archaeologies’, the second exhibition of 2019 to be curated by gallery director Zavier Ellis.

autobiographical, with visual remnants coalescing to represent a meditation on loss, regret and reminiscence. Gina Soden has established a process of hand printing dilapidated interiors onto found mirrors that have been treated and

access them illegally. Her objective is to transport the viewer to the location that she discovers, and to demonstrate the beauty of

The activity was organised by our client, who wanted to tidy the gardens at Ellenshaw Court, readying them for winter and in preparation for next year. The gardens are enjoyed by residents across 31 flats and are an important part of their community. Our team worked really hard, lifting/laying turf and planting bulbs for a whole day, ensuring the space is safe and pleasant to look at for residents over winter. objects as the ‘fallout’ of human activity and questions the impermanence of value and function. By collecting, adapting and became influential in summarizing thought around the 19th century Gothic revival. Ruins were of course a primary Gothic trope,The effect of the photographs is both haunting and uncertain, imbued with the duality of seduction and repulsion that also drives Treacy’s initial hunt for his outfits. Taking the concept of the self-portrait, Treacy’s performative and process-based work adds multitudes of new layers and meanings. buildings throughout Europe. Soden seeks out disused public buildings including palaces, churches and asylums, often having to processed-based practitioners who mostly employ photography as a founding principle, which enables them to develop unique Special thanks to Clive Rubenstein, Julie Craib and David Kange who all volunteered to help the residents! work in three ways: wall mounted bronzes cast from flowers; vitrines encasing vases of flowers; and large-scale photographic