Of all the films out there, I believe that Superia honestly could serve as a great everyday film for so many photographers. It’s affordable price point combined with good quality makes it very attractive. In ISO 200, 400, and 800 you’re bound to get some of the best colors. But with 1600 you’ll be subjected to a fair amount of grain. You have to come to expect this though as even Fujifilm Natura 1600 was grainy. I’m going to miss natura, but I really like Superia 1600 if you overexpose it. In fact, I’d recommend giving it more than an extra stop of light. As per usual, Portra 400 is probably better in this department because of its dynamic range and finer grain, it’s tones are probably a bit better. Dynamic Range Basically, whether you can or can’t shoot out-of-date film is determined by a number of different things. The SUPERIA LH-PL employs a double-coated photosensitive layer, which delivers enhanced run lengths compared with other no-bake CTP plates. The festival photos were still in line with the first roll taken at night, and even the mixed light was handled quite well.Interestingly some did have a very slight red cast when initially scanned but I suspect that could just be the conversion.I was really impressed on the photos that were correctly exposed on how it handled the different light sources.

Fujifilm [United Kingdom] Processless CTP Plates | Fujifilm [United Kingdom]

Fuji Superia’s lush greens are usually perfect for festival and outdoor scenes, but Venus 800 is a slightly more muted, cool affair. I found none of the almost over-saturated colour here, instead a realistic rendering of skin tones, grass, and a slightly blue cast – very subtle, and not too noticeable. The newest in a long line of Fujifilm quality plates. The LH-NI3 is a long run negative working thermal plate. It also uses the Intertech Award winning FLH-Z processor for superior stability. It has a fine grain structure, which Fujifilm calls Super Uniform Fine Grain technology. The film produces medium saturation, with accurate color reproduction, with the big feature of the X-TRA rebrand being the addition of a fourth cyan layer to the emulsion for better color reproduction under fluorescent lights. Meanwhile, the Fuji Superia Reala, initially called Fuji Reala, is a 100 ISO portrait film made for professionals and enthusiasts. Then, there’s also Fuji Press, which comes in 400 and 800 ISO speeds; it has the same emulsions as the Fuji Superia 400 and 800 films, but especially handled and refrigerated after its manufacture. Hi Ritchie! Thank you for your beautiful and useful receipes. I just bought a x100V and I love this Superia 100!Agreed. Was my immediate reaction to the picture of the man with the gun, cringing and and thinking “bad taste”. YES. Late in the night, on that day in which I nearly forgot to carry a roll of film, I found myself playing electric bass in the marching band at our high school’s football game. If the Valley seemed bleak and somber during the day, it burst into magnificent color at night. The raucous noise of a high school marching band and the garish threads of the band uniforms made for quite the spectacle, and for me it was a spectacle worth committing to film. During our third quarter break, while the rest of the band ran off to stuff their faces with nachos and hot dogs, I pulled out my little Nikon FG and lingered to watch the drumline perform for the crowd. Fujifilm Superia is fantastic for candid, everyday photography. However, I wouldn’t necessarily put it past someone to create great portraits with it. Though for what it’s worth, with the right lighting anything can work just swimmingly. But if I had to pool my network of photographers available to me at any moment of any day, I’d honestly say that the majority of people who use Fujifilm Superia are street photographers. Why? Well, it’s got a pretty nice look to it and it’s a very affordable film. In fact, I wonder why Fujifilm hasn’t tried to emulate the look in it’s X series cameras. I figure that it’s only a matter of time until we get it and perhaps the look of Instax since their cameras can wirelessly connect to the Fujifilm Instax printer. Fujifilm Superia would be an incredibly accurate film to replicate given that it is available in so many different ISO speeds.

Why Fujifilm Superia 400 Should be Every Shooters First Film Why Fujifilm Superia 400 Should be Every Shooters First Film

I think that generally, Portra is known for its muted, pastel colours (with perhaps a very slight yellow hue) and to be honest, Fuji Superia nearly replicates that with perhaps a little bit more saturation. In 2017 came the final nail in the coffin, Fujifilm discontinued Natura 1600. To show its popularity, there was even a change.org petition to try and save the film. Film Specifics Forget the ordinary, make the world extraordinary with this special edition Lomo’Instant Automat Camera with lenses featuring a colorful illustration by Hong Kong artist, Vivian Ho! Estimated to ship-out in December 2022 for the EU and the US! For those who are new to film, latitude is a term we use when we’re discussing how over or under exposed a film can be and still be “pleasant”. Of course, this score is not perfect and a lot of it has to do with taste. Many of these films suffer from color shifting when over- or under-exposing, which some find more appealing than others with certain films. But these scores represent the average latitude values I’ve been able to research from other reviewers, or as reported by the film manufacturers. A higher score here means a film is more flexible and forgiving. Street photographers, for example, my prefer a more forgiving film as conditions are constantly changing while shooting. Whilst a landscape photographer who is taking their time might be ok with a film that requires more precise attention to appropriate exposure values.This film seems to have been filling the shelves since the days analogue was the only way to take pictures. Placed next to memory cards, batteries, headphones, and other electronic goods, Superia X-Tra was the sole representative of the emulsive legacy for years. The results when I scanned the film on return from the lab were quite interesting.Firstly, the film being expired and having been left in the camera for an extended period didn’t seem to have impacted the quality.

Fuji Superia X-Tra 400 – What’s The Kodak Portra 400 VS Fuji Superia X-Tra 400 – What’s The

By mid 2019 the Superia product line had been consolidated into two films; Superia X-tra 400 (distributed outside Japan) and Superia Premium 400 (officially distributed in Japan only). All this being said, Superia’s biggest claim to fame is its color rendition, which is simply fantastic. The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia. This film absolutely shines when capturing vibrant scenes of the natural world, as well as bustling urban cityscapes. Colors are saturated without looking garish, and blues and greens render beautifully. The only caveat with Superia 400’s color rendition in daylight is that it might have a tendency to render lighter skins with a pinkish tone that may be unflattering for portraiture. On balance, over-exposure can help with this as well. As we increase the exposure times we see a shift that pushes dark tones closer to the highlights, tightening the curve, rendering skin brighter and making contrast from facial shadows less visible.Let’s find a little bit about the film and then how I found the experience of shooting a set of fast colour negatives. History Kodak Superia X-TRA 400 has proved to be very versatile, giving Kodak Porta 400 a run for its money. The dynamic range of Superia X-TRA is impressive, offering a large playground to under and overexpose your images while still managing to maintain details in the shadows and highlights when scanning. The Fujifilm Professional Film Data Guide lists Press 400/800 as having the same product codes as Superia X-tra 400/800; 'CH' and 'CZ'. Reala was a Superia variant that was formulated specifically for portraits and skin tones.Then there was the Press range, which has speeds of 400, 800 and 1600 (the 800 is one of my all-time favourite films).These were professional films that basically used the same formula as the Superia films but were refrigerated at all stages of production and distribution. https://fujixweekly.com/2019/06/13/my-fujifilm-x-t30-fujicolor-100-industrial-film-simulation-recipe/